Lear and the Fool Free Essays

1. How does William Shakespeare use changes in the Fool’s dialogue to mirror changes in Lear’s own perspective? Choose quotes from the sheet that support your argument. 2. We will write a custom essay sample on Lear and the Fool or any similar topic only for you Order Now How does William Shakespeare use the Fool to reflect Lear’s own thoughts and fears? Use a quote from the sheet to support your argument. The Fool’s dialogue is like a mockery of King Lear – he speaks pure honesty of Lear but adds hints of comedy to balance out the rudeness implied. The Fool re-enacts King Lear’s life by acting out his choices and proves how much of an oblivious and naive fool King Lear was before. The Fool creates a figure – much like King Lear, to act out the foolish behaviour that Lear had behaved earlier such as giving his kingdom to his two daughters, Regan and Goneril because he had trusted them. Now that the true figure of his daughters have been revealed, showing their dishonesty and evil nature, King Lear is upset that he had held that much trust in them and the Fool is represented in there to show Lear’s failure as a King. The quote, ‘if thou wert my fool, nuncle, I’d have thee beaten for being old before thy time’ represents that now the Fool believes that King Lear is now the real fool. Why did William Shakespeare include mockery and obscene humour in such tragic play? Which part of the audience would appreciate this the most? Give examples from the quotes supplied. The mockery used by the Fool is to balance out the tragic honesty and brutality with comedy to ease and balance it out so that the play is not all tragedy. The audience that were the closest to the stage were given direct jokes from the Fool about the protagonist, this is usually done to the closest to the stage – which were usually the poor people since they would not be able to receive any seats higher. How to cite Lear and the Fool, Papers

NIKE Essay Example For Students

NIKE Essay Barber 1Table of ContentsIntroductionpage 2Historypage 2Total Revenues..page 3Gross Margin.page 3Net Incomepage 4Current Assetspage 4Current Liabilities.page 4Working Capital.pages 4 5Nikes Healthpage 5Common Stock Outstanding.page 5Nikes Sales Health..page 5Nikes Fiscal Yearpage 6Illustrations and Graphspages 7 12Works Citedpage 13Barber 2HistoryNike is probably the mot well known name in sports athletic apparel. Nike has supported the most prolific names n sports. Michael Jordan, Tiger Woods, and Ken Griffey Jr. are just a few of the athletes that Nike sponsors. The companys revenue constantly grosses in the billions. The company continues to dominate the athletic apparel industry. Nike was established in 1957 by a coach and an athlete. The two went on to establish the most successful footwear company in the world. Bill Bowerman and Phil Knight are the two founders. From 1961 to 1971, Knight joined with a Japanese company named Tiger. He thought that the company would end Germanys domination over the footwear industry. When he met with the company, they asked what company he represented and Knight came up instantly with the name Blue Ribbon Sports. The company would later become Nike. Blue Ribbons revenue continued to rise and in 1971, a student names Carolyn Davidson designed the Nike Swoosh symbol for $35. In 1972, Blue Ribbon separated from Tiger and became Nike. The company arrived at the name from the Greek Goddess of victory, Nike. The 2700 employee company went public in 1980. From 1981 to 1991, Nike began to sponsor the top athletes in the world of sports. Nike pursued the likes of athletes such as Carl Lewis and Michael Jordan. Nike Company topped the 107 billion-dollar mark in 1986. The company established the Just Do It campaign in 1987. Nike continues to dominate the footwear category not only in the United States, but also in Canada, Japan, and Taiwan. Barber 3Financial Statement AnalyzationNikes financial history has fluctuated constantly in the past five years. In the years 1998 and 2001, Nikes revenues were at its highest ten year point. The price of Nikes common stock has gone down in the past five years. It was at its highest point in 1997 and next highest in 1999. RevenueThe Chicago Bulls had won their second National Basketball Association championship in 1997. Michael Jordan was the best basketball player at the time and everyone wanted to be like Mike. Jordan was under a contract with Nike for his Air Jordan sneakers. This was great for Nike, because it allowed the company to capitalize off of Jordans success. Nikes revenue for 1997 was $9,186.5 million. This was an increase of nearly 3 billion dollars from 1996. The Chicago Bulls had completed a three peat in 1998. Michael Jordan was still under a contract with Nike and the company was able to capitalize again with the revenue increasing by $400 million to $9, 553.1 million in 1998. In 1999, the price of Nikes common stock had risen but its total revenues had fallen nearly 1 billion dollars from the previous year to $8, 7769. Nikes revenues had increased to $8, 995.1 in 2000 and to $9, 488.8 in 2001. These numbers are for the fiscal year ended May 31. Gross MarginThe gross margin ratio is defined as gross margin (net sales minus cost of goods sold) divided by net sale. Nikes gross margin ratio was 40.1% in 1997. The highest it had been in a ten year period. The ratio had fallen to 36.5% in 1998. It began to Barber 4increase in 1999 to 37.4%. The gross margin ratio was 39.9% in 2000. Nearly as high as it was in 1997. The gross margin ratio had fallen only .9% in 2001 to 39.0%. .u399079ff927c9e10ae8674541cc65a69 , .u399079ff927c9e10ae8674541cc65a69 .postImageUrl , .u399079ff927c9e10ae8674541cc65a69 .centered-text-area { min-height: 80px; position: relative; } .u399079ff927c9e10ae8674541cc65a69 , .u399079ff927c9e10ae8674541cc65a69:hover , .u399079ff927c9e10ae8674541cc65a69:visited , .u399079ff927c9e10ae8674541cc65a69:active { border:0!important; } .u399079ff927c9e10ae8674541cc65a69 .clearfix:after { content: ""; display: table; clear: both; } .u399079ff927c9e10ae8674541cc65a69 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u399079ff927c9e10ae8674541cc65a69:active , .u399079ff927c9e10ae8674541cc65a69:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u399079ff927c9e10ae8674541cc65a69 .centered-text-area { width: 100%; position: relative ; } .u399079ff927c9e10ae8674541cc65a69 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u399079ff927c9e10ae8674541cc65a69 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u399079ff927c9e10ae8674541cc65a69 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u399079ff927c9e10ae8674541cc65a69:hover .ctaButton { background-color: #34495E!important; } .u399079ff927c9e10ae8674541cc65a69 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u399079ff927c9e10ae8674541cc65a69 .u399079ff927c9e10ae8674541cc65a69-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u399079ff927c9e10ae8674541cc65a69:after { content: ""; display: block; clear: both; } READ: Should the man or woman dominate the relationship? EssayNet Income1997 was a good year fro Nike. Nearly all of its financial numbers were at their highest ten year point. Nikes net income was $795.8 million in 1997. That was an increase of $242.6 million from 1996. There was a dramatic decrease in net income in 1998. Nikes net income was $399.6 million in 1998. In 1999, the net income increased $60 million to $451.4 million. The net income increased steadily in 2000 and 2001. The number increased from $579.1 million in 200 to $589.7 million in 2001. Current AssetsNikes current assets were at their highest ten year mark in 2000 and 2001. The total assets had increased nearly $600 million in 2000. The amount was $5, 856.9 million. The number had fallen somewhat in 2001 to $5, 819.6 million. Current LiabilitiesNike was having very good revenue numbers in 2000 and in 2001. The numbers that the company produced were good for stockholders and for the company. The total current liabilities for the company were relatively small. The liability count was $470.3 million in 2000 and had decreased to $435.9 in 2001. Working CapitalNikes working capital in 2000 had decreased nearly $400 million from the previous year. The working capital in 2000 was $1, 456.4 million. In 2001, the working Barber 5capital had increased nearly $400 million. This number was greater than the amount in 1999. The working capital was $1, 838.6 million in 2001. Nikes HealthNike is constantly going to be a leader in the athletic apparel department. The company continues to have the most attractive advertising and it also continues to attract the best athletic clientele in all aspects of sports. Nike is still considered to be the top company in the footwear competition. The companys numbers are constantly increasing. The price of the stock may fall, but the liabilities and total income continues to rise. This is a reason that Nike is still considered to be one of the healthiest companies in the athletic business. Average Common StockNikes outstanding shares of common stock was at 288.4 million in 1997. This was an increase of .8% from 1996. The companys outstanding shares in 1998 were at 288.7 million. The number began to decrease steadily each year after that due to the company being heavily traded on the stock market. The number was 283.3 in 1999. It was at 279.4 in 2000. The number had decreased by 6.1 to 273.3 in 20001. Nikes 2001 Sales HealthNikes sales were very appealing in 2001 when compared to 2000; the company increased its numbers a great amount in almost all categories. Its revenues were better than the previous years and there was also a higher return on equity. 2001 was a good year for Nike Company. The numbers were very similar to that of 1997 when Nike could have been said to be at its peak. Barber 6Nikes Fiscal Year and ConclusionNike Companys fiscal year end at May 31 each year. Looking at Nikes financial numbers shows that the company is not only a top choice in the general publics eye, but also to many investors. Nike is a company that an investor would find very attractive. It is a company that has high revenue numbers each year and is established. When thinking about what to do about a Nike stock, Just Do IT. Barber 13Works Cited1.A Coach and an Athlete.www.Yahoo.com2.1997 History. www.Nike.com3.1998 History. www.Nike.com4.1999 History. www.Nike.com5.2000 History. www.Nike.com6.2001 History. www.Nike.com7. Nikes Eleven Year Financial History. www.Nike.com

Baritone Voice as Primo Uomo in Mozarts Operas

Table of Contents Introduction Baritone Voice Primo Uomo: Definition and Significance Mozart Operas by Mozart Conclusion Reference List Introduction The world of music has always been alluring for creative people. Music is one of not many art forms that are possible to specialize in even if one does not have a genius for it. Of course, in this case, becoming an extraordinary musician is impossible, but a person who has an utmost desire to play music will realize at least some of his/her dreams.Advertising We will write a custom research paper sample on Baritone Voice as Primo Uomo in Mozart’s Operas specifically for you for only $16.05 $11/page Learn More Music is the same indulgent for those who have been hurt by nature; the history of music abounds with examples of talented composers who either were deaf from birth or have gone deaf in the course of their music career. The greatest peculiarity of music is that it uses terms that may be unkno wn to those who are not involved into the world of music. A person who does not have musical education will never be able to duly appreciate operas composed by Wolfgang Amadeus Mozart or any other prominent musician. Mozart’s operas are especially interesting to view from this perspective because every single character in this composer’s works has a meaning for the entire opera and the part that he/she sings was given to this character not for nothing. A number of Mozart’s operas, such as Le Nozze di Figaro, Don Giovanni, Cosi fan Tutte, Die Zauberflote and their characters, such as Count Almaviva, Don Giovanni, Gugliemo, Papageno, and others are united by the presence of baritone voice as primo uomo. Hence, the aim of this paper is to consider these operas in more detail and to define how important these characters are for these operas and why namely baritone voice was chosen by Mozart as primo uomo. Baritone Voice Definition. Baritone is the most common type o f male voice â€Å"usually written for within the compass A to f, which may be extended at either end† (Sadie Tyrell, 2001, p. 730). If compared with other types of male voice, baritone is somewhere in the middle between bass and tenor because it is lower than tenor, but higher than bass. Baritone is also believed to be one of the most pleasant male voices when it comes to operas, which is why, as suggested, the operas having it as primo uomo, enjoy special popularity. Meaning. The word ‘baritone’ has originated from the Greek word barytonos, the meaning of which is ‘deep sounding’ (Sadie Tyrell, 2001). Indeed, baritone singers strike the listeners with the deepness of their voice which is not as heavy as in case with bass. History. The use of the term ‘baritone’ and the voice type as such has a rich and long history. This term originated in the 15th century French sacred polyphony as baritonans and was first used to denote a voice tha t was of lower pitch than bassus. This is why, during the 15th and even 16th centuries this term was specifically used to refer to the lowest voices.Advertising Looking for research paper on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More Closer to the 17th century, however, its meaning has changed significantly. Italy was the first to start using the term to denote medium male voice. This was when baritone started developing its own features and characteristics and started to be recognized as a separate type of voice. Nevertheless, it was not always that baritone was distinguished from bass in some of the operas. There is a wide range of works that belong to the beginning of the 18th and even 19th centuries and that have numerous baritone roles which, however, are marked as bass roles in majority of the cases. A bright example of this is Mozart’s creative work. The operas of this composer did not make much distinction between bass and baritone. Thus, for instance, â€Å"the first Count Almaviva (Le nozze di Figaro), Stefano Mandini, described as a â€Å"primo buffo mezzo carattere’ had a voice that would now be considered a baritone† (Sadie Tyrell, 2001, p. 731). Besides, Don Giovanni also had several bass roles and the principal part was also performed by a singer with bass voice type, or what then was believed to be bass. The meaning of namely baritone for these particular operas will be discussed in this paper later in more detail. Finally, the pick of the recognition of baritone as a separate voice type in operas was in the 19th century. Back then, florid singing dominated in the opera houses and low male voices were not very suiting for this type of singing. However, it took much time before baritone singers started to be selected for principal roles in operas. Principal male roles were predominantly basses, especially in case with German operas. Eventually, quite soon barito ne voice was accepted by the operas. This has â€Å"widened the range of male character types beyond those traditionally associated with the castrato or the tenor (the hero and the lover) and the bass (the king, the soldier, the high priest, the aged man)† (Sadie Tyrell, 2001, p. 731). This is how the development of baritone took place throughout the centuries; all these events contributed into its being prevalent in the 20th century operas and into the emergence of a number of famous baritone singers.Advertising We will write a custom research paper sample on Baritone Voice as Primo Uomo in Mozart’s Operas specifically for you for only $16.05 $11/page Learn More Primo Uomo: Definition and Significance Among the variety of opera elements in Mozart’s works, it is necessary to underline the significance of â€Å"primo uomo† that is translated as the â€Å"first man† or the â€Å"leading castrato† (Kuster Whittal l, 1996; Sadie, 2006). In almost each Mozart’s works, the primo uomo is considered to be the most significant and the most highly-paid singer in regards to other participants of the opera. To clear up why this singer deserves so much attention and recognition in particular Mozart’s works, it turns out to be necessary to define the meaning of this term and to analyze the ways of how Mozart used this singer in his operas. Definition of the meaning. According to the online Glossary (2010), primo uomo is defined as â€Å"the principle male singer in an opera or on the roster of an opera company. Just like a leading lady had been given the title ‘prima donna’, so a famous Castrato would claim the title ‘primo uomo’.† A castrato is a type of male singing voice that is similar to soprano or, to be more exact, to mezzo-soprano that is between A and C octaves. During a considerable period of time, this term has been applied to different types of voice, and the baritone was one of such types. However, such operas like Le Nozze di Figaro, Cosi fan Tutte, or Don Giovanni may serve as the best example of primo uomo applied to castrato. Though Mozart made numerous attempts to elaborate the roles of other singers to the leading role of the primo uomo, for instance, to the seconda donna or secondo uomo with tenors, the identification of primo uomo was clear and comprehensible. In spite of all changes and additions by famous musicians to the role and the definition of the term primo uomo, the 18th century introduces primo uomo as the only worthwhile male leading singer of castrato or soprano part in an opera. Mozart and his use of the primo uomo. Such sophisticated and magnificent composer of the Classical era of opera and ballet as Mozart certainly knew how to make use of ht primo uomo and what aspects were better to touch upon at first. Though it was not very difficult to define what singer had to perform the leading role and th e second role, another task could create a number of problems. This task was all about choosing the most appropriate voice type to the primo uomo, and Mozart demonstrated how it was possible to achieve the best results in such activity. His success is possible to observe in all his operas where the leading role is performed by the primo uomo applied to castrato and the baritone that has been described above.Advertising Looking for research paper on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More Mozart Short biography. Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was an eminent composer of the Classical era (Sadie, 2006). His genius was essential since the childhood. It was no secret to anyone who surrounded this would-be outstanding composer that his work would leave deep traces in the world of music and opera, in particular. In fact, leaning toward music, Mozart wanted to reach out the perfection of sounding and singing as referred to classical themes in music art at the time. When in Salzburg, he showed his prodigious capability of playing the piano and violin as a court musician (Sadie, 2006). His father, Leopold Mozart helped young Mozart to gain momentum in personal careers. However, his talent needed more appreciation. Since 1781 Mozart moved o Vienna where he gains fame and more capacities to involve his talent in creating operas (Sadie, 2006). It was he who adored the charms of opera buffo while staying in Vienna. He was surely dedicated to th e opera as such that he produces his first two buffo operas L’oca del Cairo and Lo sposo deluso (Rushton, 1981). During his relevantly short years of life Mozart represented a scope of works which illuminate the magnificence and virtuous implementation of opera. To say more, the most noteworthy operas created by Mozart are Don Giovanni, Le nozze di Figaro, Cosi fan tutte, Die Zauberflotte. All of them and many other consider the precious legacy of Mozart’s art in opera. History of opera. The art of opera takes its roots from the late 16th century in Italy (Grout Williams, 2003). It was the time when separate cities like Florence, Napoli, Venice, etc. were known to be so-called â€Å"cradles of genuine arts† and their implementation at large. The term â€Å"opera† is a Latin interpretation of â€Å"work† (Sadie, 2006). Thus, the main idea of opera is to compose proficient singing along with typical dramatic musical score. Dafne by Jacopo Peri and L ’Orfeo by Claudio Monteverdi were the earliest works as related to mastership of opera (Grout Williams, 2003). Thereafter, Italian classical tradition in performing opera spread over the rest of Europe. Along with initially dramatic colouring of classical opera appear comic variations of this kind of art settled down first in Florence in the late 17th century (Grout Williams, 2003). That was a â€Å"day-spring† of the versatility of themes and somehow genres in opera which stimulated further cultivation of genius ideas in music. The next stage of opera development falls into the Baroque era in arts. The implementation of primo uomo and baritone in opera was felt in works of German and French composers. Hence, Handel and Mozart are considered to be the most viable composers who contributed greatly into the further growth of opera art throughout Europe. In the late 18th century the art of opera experienced the apogee of opera buffo followed by the early 19th century hi ghpoint of bel canto style (Grout Williams, 2003). All in all, opera magnified the uniqueness of text (libretto), sceneries, orchestral music in a wonderful ensemble which still follows the classical form of execution in contemporary opera. Operas by Mozart Le nozze di Figaro. This opera is a result of fruitful work of Mozart with well-known at the time librettist Lorenzo da Ponte in 1986 (Carter, 1987). It is known to be the first opera buffa created by Mozart in his Viennese period of life. In fact, it is an adaptation of Jean Paul-Augustine Beaumarchais’s play turned into opera (Carter, 1987). The place of count Almaviva is the main as referred to primo uomo baritone. His party in the whole opera symbolizes the gist of the main expression of this opera buffa. The key in which the majority of parties are executed is represented in allegro or allegretto. Meanwhile, the parties of baritone vary between A and F major key (Carter, 1987). Full F octave is implemented in the par ty of count Almaviva in the dominant key (V). Don Giovanni. This play performed for the first time in Vienna in 1788 continued the Maozart’s tradition for opera buffa (Rushton, 1981). Nevertheless, it provides a scope of the main idea through manly allegro-andante parties of the main heroes. Don Giovanni as baritone primo uomo is more felt in F major in duet with Leporello in Act II Scene 1(Rushton, 1981). It is here that Mozart takes advantage of opera buffa along with the Italian tradition for incanto (Sadie, 2006). To say more, this opera impresses by richness in recitativo obligato in the parties patterned by the variation from D major to F major (Rushton, 1981). Programmatic overtures which are in most points patterned by female parties (soprano) emphasized by Don Giovanni’s baritone promote different transitions of mood among the main characters. At this point the abandonment of Donna Elvira and betrothing to Donna Anna provide a csope of variations in sounding b etween recitativo obligato and recitativo secco (Rushton, 1981). Hence, the whole outlook of Don Giovanni executed by Mozart provides a peculiarity of coda in the beginning of each act followed by longer sounding in D major afterwards. Thus the parties of Don Giovanni are highly pitched by prior position. Cosi fan tutte. This play created by Mozart again in collaboration with Da Ponte provides more intimate themes in relationships of the main characters. Cosi fan tutte was first performed in 1790 and received gratitude from the audience (Brown, 1995). This opera buffa, however, encountered several reason for initial lack of expected appreciation on the part of the Austrian emperor, for he died at the time. Nonetheless, the characterization of the opera provides a dramatic story of love between Guglielmo and Fiordiligi and Ferrando and Dorrabella. Da Ponte wanted to maximize the audience’s impression by making more intimate libretti for the soprano parties. Bass party of Don A lfonso are maintained mainly in recitativo in F major octave (Brown, 1995). Sincere sounding and coherence of the main soloists is accompanied by Idomeneo which is why the intimate lyrics are that ostensive throughout Cosi fan tutte. Primo uomo is focused hereby on the figure of Guglielmo, for his rage and despair in love shapes cross-relational attitudes toward Ferrando (Brown, 1995). Hence, the tragic implementation and sounding in key major varying from C to F makes this opera different from other works created by Mozart and Da Ponte. Conclusion The role of music in our everyday life is great indeed: people are able to not only listen and enjoy the results of composers’ works but also to realize that music has many hidden functions and influences on people. This is why the importance of composers works increases considerably as one mistake in work’s creation may lead to many unpredictable results and disappointments. In general, the achievements demonstrated by Wolf gang Amadeus Mozart play a significant role in many musical aspects. Almost all musicians and historians agree that he was a true genius with his own vision of music, details, and elements. He introduced a plenty of compositions, and almost each of them has become a popular classical music. His idea to use the baritone voice as the primo uomo in his several operas is a unique opportunity to evaluate the role of voices in the general effect of music on people. It is not enough to say that this person introduced a new way according to which the primo uomo becomes an integral part of the work. Mozart’s attempts have to be regarded as the most influential lessons on further development of the baritone as the primo uomo in operas. His Le Nozze di Figaro with bass baritone, Don Giovanni with its demonic elements, and Cosi fan tutte with a number of allusions and proverbs are the examples of how perfectly it is possible to use the baritone as the primo uomo and replace the functions performed by tenor or castrato. Without any doubts, it was a novelty; to make it clearer and more comprehensible to the listeners, it becomes important to make some additions which help to explain the message. This is why all the above-mentioned elements and steps may be justified at least because of the necessity to introduce new ideas and prove their correctness. The introduction of the baritone as the leading voice in Mozart’s operas promotes the development of a new style, a new sound, and a new interpretation of music that has not been known before. Mozart is an experimenter by his nature, and each his idea became one more success of his. This is why the use of the baritone as primo uomo in Mozart’s operas attracts the attention of many people for a long period of time and proves once again that this person had unbelievable skills to use ordinary things and create something really great. Reference List Brown, B. A. (1995). W. A. Mozart: Cosi fan tutte. Cambridge: Cambridge University Press. Carter, T. (1987). W. A. Mozart: La nozze di Figaro. Cambridge: Cambridge University Press. Doherty, M.J. (2010). Glossary. Web. Grout, D. J., Williams, H. W. (2003). A short history of opera (4 ed.). New York, NY: Columbia University Press. Kuster, K. Whittall, M. (1996). Mozart: A Musical Bibliography. New York: Oxford University Press. Rushton, J. (1981). W. A. Mozart: Don Giovanni. Cambridge: Cambridge University Press. Sadie, S. Tyrell, J. (2001). The new Grove dictionary of music and musicians. Ann Arbor: Grove. Sadie, S. (2006). Mozart: The Early Years 1756-1781. New York: Oxford University Press. Sadie, S. (2006). Mozart: the early years 1756-1781. Oxford: Oxford University Press. This research paper on Baritone Voice as Primo Uomo in Mozart’s Operas was written and submitted by user Abbey Ramsey to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.

Distinctive Features of the Grammar of Irish English

Distinctive Features of the Grammar of Irish English If you celebrate St. Patricks Day with plastic pitchers of green beer and rousing choruses of Danny Boy (composed by an English lawyer) and The Unicorn (by Shel Silverstein), you may be roaring just about anywhere in the world on March 17except in Ireland. And if your friends insist on hollering top o the mornin and begosh and begorrah, you can be pretty sure theyre not Irish. The English language as spoken in Ireland (a variety known as Hiberno-English or Irish English) has many distinctive featuresnone of which should be confused with your friends Celtic clichà ©s or the Hollywood brogues of Tom Cruise (in Far and Away) and Brad Pitt (in The Devils Own). As examined by Markku Filppula in The Grammar of Irish English: Language in Hibernian Style (Routledge, 1999), Irish-English grammar represents a unique combination of elements drawn from the two principal partners in the contact situation, Irish and English. This grammar is characterized as conservative because it has held on to certain traits of the Elizabethan English that helped shape it four centuries ago. Here are just a few of the characteristics of Irish-English grammar: Like Scottish English, Irish English has unmarked plurality in nouns indicating time and measuretwo mile, for instance, and five year.Irish English makes an explicit distinction between singular you/ye and plural youse (also found in other varieties): So I said to our Jill and Mary: Youse wash the dishes.Another characteristic of Irish English is nominalization, giving a word or phrase a noun-like status that it doesnt generally have, as in If I had the doing of it again, Id do it different.A direct borrowing from the traditional Irish language (also known as Irish Gaelic or Gaeilge) is the use of after in noun phrases such as Im only after my dinner.Like Scottish English, Irish English often uses progressive forms of stative verbs (I was knowing your face).Another salient feature is the use of sentence tags initiated by so, as in Its raining, so it is. (adapted from World Englishes: An Introduction, by Gunnel Melchers and Philip Shaw. Oxford University Press, 2003)   Thats just a small sample of the many distinctive features of Irish-English grammar. Discussion of its rich vocabulary (or lexicon) and patterns of pronunciation (phonology) will have to wait until next years St. Patricks Day. Until then, if youre interested in learning about Gaeilge (the historical language of the Irish people, now spoken by only a small minority of the population), visit Michelle Gallens website, Talk Irish. This award-winning site provides a social network for teachers, speakers and learners of traditional Irish. Sln go fà ³ill. Goodbye for now. More Varieties of English: Australian EnglishCanadian EnglishChicano EnglishChinese EnglishDublin EnglishEuro-EnglishHinglishIndian EnglishPhilippine EnglishScottish EnglishSingapore EnglishSouth African English

The security properties of network applications Assignment

The security properties of network applications - Assignment Example That is; confidentiality, integrity and availability of data to the right person. Not only will this report cover the network applications security, but it will also look into the network applications architecture and how this architecture can be best implemented so as to ensure data confidentiality, data integrity and data availability. For this case study, BF is a social network application that aids individuals to have a social forum with other people. Through that, an interested individual will have to register with BF so that they can be in a position to communicate with other individuals through the use of text and sending of images and videos. 1.2 Application description What are network applications? These are programs that run on a network and they allow for more than one user to have access to the program. Network applications can either be run online or offline. Offline network applications can be related to programs such as Office. These programs can be installed and/ or networked from the main server so that they can allow more that one individual to have access to using the program. When it comes to online network applications, these are applications that need an online server and a client; both of which must communicate in real time else they will no longer be referred to as online network applications. In this case, there is a server which is located in the data centre. The server stores all the relevant data and information that may be queried by a client. The client on most occasions could be a web browser or another computer/ laptop/ or gadget. How does BF work? What is the user experience of BF? Based on the above application description, the same ideology can be applied to our case; that is the BF social network application program. It is important to note that BF also uses the same application description where there exists a server and a client. The servers (s) are always located in the data centre. This is to ensure that they are not acc essed by individuals who are not authorised to come into contact with them. In addition to that, the client in this instance will be the web browser that the user will use so as to key in the Universal Resource Locator (URL) of BF. Example: http: //www.BF.com Once the user hits the search button from their web browser, that will send a request for the search of the URL (http: //www.BF.com) and the corresponding BF server will respond to the request by providing that particular web page that the user searched for. After that, the user will register/ sign up with BF by providing their personal details such as: their email address, physical address and real names. Assumptions made about BF: Based on the BF social network application program, some of the assumptions that can be made include: Communication concurrency: Due to the fact that BF is an online social network application, information is prone to be exchanged between the server and the client. With that, communication concurren cy should be adhered to strictly. An assumption is that the lack of communication concurrency between the server and the client will lead to data loss. Stability: Stability is critical to a social network application program. Lack of stability can cause huge losses due to downtime of the program. This is majorly caused when the servers cannot handle user’s overwhelming requests. Data security: There is exchange of data between the server and the client. Therefore, data security should be critically analysed. An assumption is

Www.ideo.com and www.kickstarter Essay Example | Topics and Well Written Essays - 750 words

Www.ideo.com and www.kickstarter - Essay Example Kickstarter.com has a terrific vision making dreams into realities. Projects, creative ideas and other dream endeavors become reality with the funding that could be provided by kickstarter.com. Looking closely at the reviews for kickstarter.com, the website both has good and negative reviews. For the good reviews, the website was able to materialize projects would not have left the trestle board if it was not funded through kickboard. One of the projects was the Dewey Mac, Kid Detective Book which is a make DIY (do it yourself) and STEM Spy Gadget (Carroll). The idea was to make children experiment from STEM (Science, Technology and Math) experiences to be able to play the game. The participant would be building real working toys such as foxhole radio and glass ear from materials that could be readily found at home. In the process, it strengthens the STEM skills of children while having fun. The kit received various awards which could not have been possible without kickstarter.comâ⠂¬â„¢s help. Another project that materialized through kickstarter.com was the â€Å"Foodie Dice: Play with your food† project (Tumbleweeds). The idea was to inspire cooking combinations from the dice by merely rolling them. It is composed of 5 primary dice and 4 seasonal veggie dice that could produce creative concoctions by merely rolling them. The project receive $86,371 pledges and 2,333 backers (Tumbleweeds). III. Conclusion There are also some negative reviews about kickstarter.com such as non-notification of projects that it dropped that confuses the creators (sitejabber.com). But comparing these operational glitches to the benefit that kickstarter.com does to creative people, it is negligible. People in general are still grateful to the help that kickstarter.com extends to the creative. In sum, kickstarter.com serves as a bridge between people who have great ideas who does not have the resources to materialize it and those people who have resources who would like to h elp creative to materialize their ideas. Part II I. Title: www.ideo.com II. Introduction Ideo.com also deals with creative ideas just like kickstarter.com except that it does not look for fund those ideas into reality but rather help its customers to tap on their latent creativity to realize their creativity. Ideo is a design and innovation consultancy company founded in Palo Alto, California in 1991 by David Kelley, a Stanford Professor, Moggridge Associates, Matrix Design and Steelcase. Its current CEO is Tim Brown. It offers its consultancy services to its clients to help them design their products. Among the products connected with Ideo are futuristic PDS, sports watches and media panel (ideo.com). They call it â€Å"creative confidence† or design thinking where people discover their inherent creativity and transform them into a positive force in an organization (ideo.com). Compared to kickstarter.com where they look funding to help creative ideas materialize, ideo.com br ings out the creativity of people by actively engaging with their customers in the design of their products. III. Body Ideo.com can be classified as a cutting edge company in terms of design. Many of the known brands and popular products that we are using right now are in fact designed by the company. Among these companies are Samsung and British Airways. They collaborate with its customers and help them come up with a design and innovation that is consistent with the brand of their customers. IDEO integrate the needs of people, the possibility of technology and the requirement of business success as its approach to industrial design. It helps its customers

Victimization, Deterrence and Social Disorganization

Victimization, Deterrence and Social Disorganization The life course theory is one of the developmental theories that is interesting. The life course theory incorporates the idea from the social learning theory that crime is a learned behavior (Siegel, 2011). This occurs when the individual experiences a transition during their life course. According to the life course theory we start behaviors at a very young age that can have a significant impact on our adult life. One of the points brought up in the life course theory is about transitions that we go through as we grow up such as finishing school, getting a job, getting married and having kids (Siegel, 2011). These transitions are what make the life course theory a developmental theory because these transitions are what can make or break your life. If a person experiences a good transition during their life it will help them to stay away from crime whereas if they have a bad transition period it can actually cause them to start or resume a criminal lifestyle. If these transitions are experienced to soon or too late it can also impact your life. Our textbook talks about these transitions as being too soon when a girl gets pregnant at a young age or too late when a teenager gets into the wrong crowd and makes choices that affects their futures and how these decisions can put their life on a totally different path than the one that they were on. The life course theory and the social learning theory are similar in that they both have the principle that a person is born not knowing how to be a criminal but rather learn how to be a criminal over the span of their life. The life course theory and the social learning theory are different in that the life course theory concentrates more on the experiences of a persons life that affects them and if it influences them to become criminals or not whereas the social learning theory concentrates more on how the person is shaped by the society that they live in and how that influences them to become criminals or not. Compare and contrast the different theories of victimization. In addition to explaining the theories, discuss their strengths and weaknesses. Also, use one of the theories to explain why women are more likely than men to be the victims of rape and domestic violence. There are four different theories of victimization. These include victim precipitation theory, lifestyle theory, deviant place theory, and the routine activities theory. The victim precipitation theory is where some people actually initiate the confrontation that eventually leads to their injury and death (Siegel, 2011). There are two ways that this theory can happen. It can either be active or passive. With active precipitation you have the victim that is showing threating behavior along with an exchange of words that sometimes even leads to the victim attacking first. In the passive precipitation the victim acts in a way that can encourage the person doing the attacking to attack or sometimes the victim can even send out threating signals that causes them to be a victim of crime. I believe that the passive precipitation form of the victim precipitation theory would be the reason why women more than men are the victims of rape and domestic violence. Some women unknowingly flirt or exhibit sexual behavior that can encourage or entice a male into wanting to have his way with her. In the case of domestic violence the woman can cause the man to feel thr eatened by her actions without meaning to. She may be mad and yell or strike at him and he feels threatened so he fights back. This is not an excuse for a male to strike a female of course but it can happen. One weakness of the victim precipitation theory is that with the passive precipitation form of this theory a person can become a victim when they actually had nothing at all to do with what was going on. The lifestyle theory is where crime is not a random occurrence; rather it is a function of the victims lifestyle (Siegel, 2011). Basically the more risk factors that you have in your life such as drinking and taking drugs the higher the chance that you will become a victim at some point. I like the way that our book points out that if you live a party type lifestyle in college it makes you more susceptible to becoming a victim. If you are a person on the other hand that is settled down and stays home a lot it reduces your chances of becoming a victim. The deviant place theory is the greater the exposure to dangerous places, the more likely people are to become victims of crime and violence (Siegel, 2011). This is basically that the person does not exhibit any behaviors to encourage the criminal to victimize them but because of where they live they become a victim. For example people that live in the poorer areas of the city are more susceptible to becoming a victim than say someone that lives in the suburb outside of the city where they can better control the elements that they live in and around. In the poorer areas is where I believe most of your criminals and homeless live and people who live around those elements become easier targets for the criminals. The routine activities theory is where victimization results from the interaction of three everyday factors: the availability of suitable targets, the absence of capable guardians, and the presence of motivated offenders (Siegel, 2011). Basically this theory is where you have three things that can increase the likelihood of crime taking place. You have houses that are in a nice neighborhood that have nice things in them that entice a criminal to break in to get these things to sell, you have no one home to guard the house and the nice things in the house and you have the criminal that is motivated by seeing this and wanting to profit from breaking into the house. Explain the theory of general deterrence and the theory of specific deterrence. Discuss how certainty, severity, and speed of punishment impact general deterrence? Then, discuss whether our current criminal justice system effectively produces general deterrence and specific deterrence? If so, how? If not, what needs to change to produce general deterrence and/or specific deterrence? Be sure to answer these questions in regard to both general and specific deterrence. Theory of general deterrence is a crime control policy that depends on the fear of criminal penalties, convincing the potential law violator that the pains associated with crime outweighs its benefits (Siegel, 2011). Basically with the theory of general deterrence it is saying that you will have a lower crime rate if the criminal believes that they will be severely punished for the crime that they commit. The certainty of punishment aspect impacts the general deterrence theory in that offenders that believe that they will be punished and that the punishment is not worth it to them will cause them to not commit the crime whereas offenders that believe that when they get caught they will not be punished will commit the crime. Certainty of punishment has a huge impact on a criminal when they are deciding to commit a crime or not. If a criminal believes that they will be severely punished for the crime they will think twice before committing the crime. However this aspect has little effe ct on the general deterrence theory. The swiftness of punishment does not have a large impact on the general deterrence theory because it takes so long to get through the court systems that by the time the criminal is sentenced that the effect of deterring the crime has long since been forgotten. It would be a good deterrent if the punishment was carried out quickly I think. Like in the old days when someone killed someone they were taken out by the local sheriff and hung. This being witnessed by the community deterred anyone else from wanting to commit the same crime and the same thing happening to them. Theory of specific deterrence is the view that criminal sanctions should be so powerful that offenders will never repeat their criminal acts (Siegel, 2011). Basically with the theory of specific deterrence you have the thought that a very high punishment or long jail sentence would keep a criminal from repeating their crime. Some times this can backfire though where the worse the punishment the more the criminal wants to commit the crime. This can be caused by the criminal wanting to show how big and bad they are and that the judicial system did not win. I think that the criminal judicial system produces more general deterrence than specific deterrence because we see more people that are deterred away from crime because of the perception that they have of the punishment that they will receive than we have people that dont drink and drive because of a fine and a small time spent in jail. If the punishments were higher for drinking and driving then I think we would have more specific d eterrence than we do. Social disorganization theory links crime rates to neighborhood ecological characteristics. Identify and discuss these characteristics and explain how/why they lead to crime. Use social disorganization theory to explain why there are more robberies in Atlanta, GA compared to Kennesaw, GA. The characteristics of the social disorganization theory are poverty, social/community disorganization, breakdown of traditional values, criminal areas, cultural transmission and criminal careers. Poverty can lead to crime in the neighborhoods that have a poverty concentration effect occur due to the middle class leaving and only the poorer residents remain. Our textbook states that, urban areas marked by concentrated poverty become isolated and insulated from the social mainstream and more prone to criminal activity (Siegel, 2011). In an area where you have white flight occur the people that are left have a harder time keeping gangs and violence under control due to their limited resources. Social/Community disorganization occurs when you have a lack of informal social control. When the families in these communities have a hard time keeping their kids under control and away from delinquent behavior this in turn causes crime to occur. When a breakdown of traditional values occurs the youth feel detached from their communities this leaves them more open to be recruited by the neighborhood bad guys and this leads to gang being formed and therefore crime being done in the neighborhood. Cultural transmission occurs when you have community fear. In neighborhoods that have teenagers that are getting into trouble a lot and a lot of empty stores the residents of these neighborhoods become fearful that they will become a victim of crime and this causes them to withdraw from their neighborhood. This fear is then passed on to the younger generation. According to our textbook the crime rates are elevated in highly transient, mixed-use and changing neighborhoods in which the fabric of social life has become frayed (Siegel, 2011). Atlanta is more of a mixed used society than Kennesaw and with the bigger businesses in Atlanta they have more people moving in and out of the city for work that is constantly changing the different neighborhoods in Atlanta. Kennesaw does not have the big corporate offices and therefore does not have the change of the neighborhoods and appears to be more stable than Atlanta. Atlanta is unable to provide the basic services to all of its residents and where you have a lot of people unemployed and homeless with a lot of time on their hands you usually have a high crime rate. You see more homeless people in Atlanta than you do Kennesaw. Also you have the concentration effect going on in Atlanta where a lot of the middle class have left the city leaving the disadvantaged citizens in the city. Kennesaw does not seem to have the concentration effect that we see in Atlanta. When you have a poverty concentration you see more criminal activity and a higher rate of robberies. Source: Siegel, L. J. (2011). Criminology, the core. (4th ed.). Belmont, CA: Wadsworth Pub Co.